Eva Gerney in a gray-taupe shantung dress, the pleated skirt starts from an asymmetrical yoke punctuated by a large button by Jacques Fath, photo by John Rawlings, Vogue, Paris, April 1951

 

Eva Gerney in black and white print organza sheath, a wide scarf drapes the bodice and folds into panels in back, the matching coat is edged with a flounce that extends to the hem, by Balenciaga, photo by John Rawlings, Vogue, Paris, April 1951

 

Eva Gerney in an ivory taffeta coat covered in horizontal stitching over a dress in the same fabric with repeated stitching on the bodice with a black taffeta belt tied in a large knot by Lanvin-Castillo, photo by John Rawlings, Vogue, Paris, April 1951

 

Eva Gerney is wearing a beautiful natural shantung-silk dress, completely pleated on the bias by Christian Dior, photo by John Rawlings, Vogue, Paris, June 1951

 

Eva Gerney is wearing a dance dress of white guipure lace and grosgrain, the bodice is adorned with roses and a yellow satin ribbon by Robert Piguet, photo by John Rawlings, Vogue, Paris, June 1951

 

Marilyn Ambrose in three-piece suit of Enka rayon and wool by Philip Mangone, hat by John Frederics, photo by John Rawlings, Harper's Bazaar, October 1946

 

Marilyn Ambrose in beautiful double-breasted, gold-buttoned coat by Monte Sano & Pruzan, photo by John Rawlings, Vogue, March 15, 1948

 

Eva Gerney applying lipcolor (whimsical applicators made to look like book of matches) , photo by John Rawlings, Vogue,  March 15, 1951

 

Eva Gerney wearing a polka dot strapless dress with white trim and a net stole by Jacques Fath, photo by John Rawlings, Vogue, April 1, 1951

 

Eva Gerney in a Mexican cotton shirt and denim jeans by Tina Leser, photo by John Rawlings, Harper's Bazaar, 1951

 

Eva Gerney is wearing "Cachotier" the snugly fitting jacket, cropped just below the bust  from Dior's Oval Line (note the rounded shoulders), the jacket is  natural shantung and the dress is grey wool, photo by John Rawlings, 1951

 

Eva Gerney in pale whipcord topcoat worn with straight wool skirt and silk foulard blouse by Traina-Norell, photo by John Rawlings, Vogue, February 1, 1950

 

Eva Gerney wearing a strapless dress with an elongated torso inclined at the waist, a short full sashed skirt, in silk taffeta by Norman Norell, veiled cap by Mr. John, photo by John Rawlings, Vogue, February 1, 1950

 

Eva Gerney in gray worsted suit by Swansdown, worn with forward-tilted straw boater with veil by Betmar, photo by John Rawlings, Vogue, February 15, 1950

 

Eva Gerney in short black chiffon dinner dress, strapless bodice is wrapped with attached stole that's tied in bow in front by Balenciaga, photo by John Rawlings, Vogue, March 15, 1951

 

Eva Gerney in rose taffeta shantung dress that folds sharply to one side with uneven hem, worn under a flowing mantle trimmed in marten by Jean Dessès, photo by John Rawlings, Vogue, April 1, 1951

 

Eva Gerney in featherweight fleecy wool coat with large fringed shawl by Originala, earrings and pin by Marion Wright, photo by John Rawlings, Vogue, July 1951

 

Eva Gerney, Anne Gunning, Bettina, Sophie Malgat wearing taffeta shantung dresses with wide pleated skirts and small waists in colors of tortoise-shell, lilac, marron glacé and grapefruit, all by Jacques Fath, photo by John Rawlings, Vogue, March 1, 1951

 

Eva Gerney in ankle-length, strapless white silk satin ball dress, covered for dinners by a beige tweed jacket, by Traina-Norell, photo by John Rawlings, Vogue, February 1, 1951

 

Eva Gerney in gray wool jersey dress in shell weave by Clare Potter, the jacket is Hollander-dyed misty blue muskrat by Esther Dorothy, photo by John Rawlings, Vogue, August 15, 1950